During the 60’s and early 70’s, as the war in Vietnam threatened its borders, a new music scene emerged in Cambodia that took Western rock and roll and stood it on its head - creating a sound like no other.
This documentary film, DON’T THINK I’VE FORGOTTEN, provides a new perspective on a country usually associated with war and genocide. By celebrating this powerful music, and the people who created it, Cambodia’s musical heyday emerges from the shadows of tragedy into the light of history.
We have pairs of tickets to giveaway to FilmBar’s exclusive of this documentary on May 28-30! To enter send an email to email@example.com with “Cambodia Rock” on the title. On the message put down your name and phone number.
For more info: http://www.thefilmbarphx.com/event/856219-dont-think-ive-forgotten-phoenix/
Also check out this NPR interview with the director of this film: http://www.npr.org/2015/04/22/401020275/the-nearly-lost-story-of-cambodian-rock-n-roll
There must be something in the air, or is it the water out in Santa Cruz, California? The ease of the music, the good vibes, and The Expendables. Having shared the stage with NOFX, Less Than Jake, Slightly Stoopid, Pennywise, Pepper, 311, and many others. Check it, as our musical bowl is full and the reggae-rock-punk sound invites.
It was finally a quiet warm California afternoon, the freeways were wide-open, and as the car tires road over the gravel driveway, the vehicle pulled up and parked outside an industrial sized building. The doors opened, and the studios couches called for a sit and a chat with drummer Adam Patterson of The Expendables.
Song River: Since 1997 The Expendables have been creating music. Blending reggae, punk, and rock. Without second guessing, The Expendables have fueled the rock-n-roll tank over and over again across the states. How many miles have you all tallied up as a band since then?
Adam Patterson: (laughed) We started in high school, sophomores and juniors. Wow, we have toured so much across the country, so many times. First a van, then another, now a bus… at least a million miles!
Song: What were some of the early influences, and how did your hometown of Santa Cruz, Ca. impact your style?
Adam: Early on we played in the style we play now. Sublime was a heavy influence on us, a lot of bands got into the sound/music. Santa Cruz was a heavy reggae/punk mix. It just kind of fit. It was already in motion, Santa Cruz wasn’t heavily influenced by rap/rock. The mix of people, culture, lifestyle- surfers, hippies, skaters- those in between- it’s a mesh, a little of everything.
As we progressed the style was loved everywhere we went. When we toured Germany at first they didn’t really understand the style, but now they love it, it is accepted. That was a great experience, Germany. We really enjoyed it and would certainly love to go back.
Song: Talk about how you infuse reggae and punk? Do they seem to be at odds?
Adam: As for style, I think reggae may sound different- but politically they aren’t too far off. I see them as the yin/yang of each other. Bob Marley was adding a lot of rock in his later music. Tosh had a very aggressive reggae style, listen to his lyrics. However, The Expendables, we are looking more to blend, so it is fun. It took us a while, we mimicked Sublime at the start, but we now even have a weird Iron Maiden, heavy ’80’s rock vibe of influence. Our guitar player is very rock-oriented. People call what we do- California Reggae.
Song: If you were to choose a ‘mantra’ for the band, or what The Expendables stand for, it would be?
Adam: We aren’t crazy political, we are a party vibe band, here to have a good time! We don’t get too serious, when you come to our shows after two to three hours you forget your worries. That is what our music is about, forgetting your worries, relaxing and good times with your friends.
Song: How many albums did you produce independently, prior to going under the Stoopid Records label (Slightly Stoopid)?
Adam: Our first three full-length albums were completely independent: No Time to Worry (2001), Open Container (2003), and Gettin’ Filthy (2004). [*According to The Expendables bio these three albums brought in a total of over 40,000 units sold with no physical distribution and no record label.] Then our last ones are under the Stoopid label: The Expendables (2007), Prove It (2010), Sand in the Sky (2015) .
Song: Has being under a label changed things?
Adam: Not really, we are still 100% in control of own production. It is hard to give someone else the control- they have worked with us. They help us with distribution, and that makes a huge difference.
Song: Your relationship with Slightly Stoopid has been a long one.
Adam: At 17 we started bugging them, (laughed) Slightly Stoopid, we would follow them around, we all were huge fans. We kept putting our music in front of their faces, not being pests, but they gave us shows here and there, and then as we got better, they even brought us on our first nationwide tour in 2002. Working with them is great. We ’share’ fans and I think that adds to the package of the shows now.
Song: Which is the band more drawn to, festivals or smaller, intimate clubs?
Adam: I think we play in more club settings, and do big festivals as well. Personally, I prefer being able to connect, it’s more of my personal feeling. I’ll go hang out with fans after a show. Some of our good friends were our fans. I like to hang out with them as much as possible.
Song: Band life I am sure life has changed from when you all first began- touring, recording. Now, there is family, etc..
Adam: I think now we can focus on songwriting, and recording albums more now. We have a studio spot, we used to do it in garages. Now though we are in a studio, with couches, in a spot where it makes it all so much easier. Plus, life is changing too. I recently became engaged, and our bass player has a child. So, making those steps to focus more on creating music, and doing tours maybe more like 3 weeks on, 2 weeks off, 3 weeks on.
Song: How do The Expendables keep from burnout, you’ve been together a long time.
Adam: None of us have a back up plan (laughed). By default we are going to do the music together thing, we are friends, and we love what we do. We are taking steps, as I mentioned before. I still want to be touring when I am 80, but not doing 200 or more shows a year.
Song: In January you released your third album under Stoopid Records, Sand in the Sky, during your annual “Winter Blackout Tour.” Sand in the Sky was mixed by Butthole Surfer guitarist and legendary producer, Paul Leary (Sublime, Slightly Stoopid, U2, Weezer) and co-produced by The Expendables and Gordon Brislawn. The album has been well received and continues to be The Expendables full force. How was it working with Gordon Brislawn and what’s next?
Adam: Yes, on this last album we worked with Gordon Brislawn, and it was great. As a producer he kept us moving. Spending more time working on having everything set, ready, go- so when we hit the studio, the hard-work had been done and boom in three days we had it. He is great and helping you on what to do, not telling you what to do.
As for what’s next. We already have 4 or 5 songs finished, and have written a few more. We took five years to do this one, and we don’t want to do that again… (pauses) maybe 18 months for a new one? Meanwhile, follow us on social media, and our website- it is there you can keep track of our tour dates, and places we will be.
Busy, life is busy… but when you’re doing what you love it is a part of your day to day living, and according to drummer Adam Patterson of The Expendables add to this list… a wedding in August…
For more information:
Don’t miss their CD release show this Saturday at the Pressroom!
No Volcano CD Debut: Who Saved the Party
CD Review: Song River
Support local music locally. The new No Volcano album Who Saved the Party on Onus Records is available at Stinkweeds, Revolver Records and Zia Records. Shut-ins, hermits and out-of-state No Volcano fans download and stream the album and get free goodies at onusrecords.bandcamp.com !
Here is my testimony: (Writer is real, an unpaid, dedicated, compassionate, music lover. One who lives and breathes on a meager income. Plus four out five doctors recommend a dosage of music daily, it’s better than sex and lasts longer.)
Testimony: Since I began my strict diet of local music I have found I have less gas, my hair stopped falling out, my complexion cleaned up, my teeth are pearly white, my boss gave me a annual raise of 15% a year, my jeans fit just so, my breasts are perky, and the hamster who I thought was dead began spinning his wheels again! Oh yes, Onus Saves.
Currently listening to No Volcano and it is beyond delicious baby!- Song River
No Volcano, available (see above) is the first release under the gentle comfort of Onus Records. Nine tracks of musical assuagement to fulfill even the crustiest ears daunted and worn by modern corporate spinage.
The mix has an easy formulation to digest, a late evening blend of righteous lingering saunters to sway, dance, or beep bop along to. Tribute opening the measure sends the soul into motion with long, spaghetti strung guitar notes. New York Drugstore burning off the synth opening and lifting off, I’ll meet you on the corner, but I will stay clean. Who Saved the Party, never answering who, but it can be guessed that the good Doctor himself would be able to keep in step and Moffat needs to grab this song for an episode in my opinion. My favorite track, (Why? I don’t know… maybe it reminds me a titch of a club long ago- Nino’s in Tucson and the peg legged black pants w/boots) is Out of the Moment.
The tune Next to You and The Spoon and Straw equally have that radio play contentment, (at times I heard essence of Dylan’s rough vocals, but felt an earlier garage sound of Strokes- my second faves).
Rounding out No Volcano’s Onus Records pressed and folded birthing- Historian and The Long Game. No better way than to leave the listener pressing the ’start over again’ button, because once wasn’t in any fashion…enough.
Onus Records: https://www.facebook.com/onusrecords
No Volcano: https://www.facebook.com/NoVolcano
Download and Stream: onusrecords.bandcamp.com